An antiques-filled home that’s bright and considered

Antiques dealers Spencer and Freya Swaffer's home is a considered and elegant space packed with ideas

Picture of master bedroom with two paintings by Pauline Liu-Devereux

Spencer Swaffer and his wife Freya both have an eye for the unusual. Spencer bought his first antiques aged 11: three scarab beetles that he bought for six pence and sold, along with some other archaelogical finds, for £50.

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Freya is the daughter of an ethnic and tribal art specialist so shares Spencer’s love of what he calls ‘folky, rare’ antiques. She can’t resist a piece with a story: ‘Antiques have character and soul and some pieces just speak to you. Take the Swedish folk art goose in our living room [pictured on the table below]. It was probably made by a grandfather for his grandchild. It’s the story that a piece tells that draws me in.’

Freya and Spencer Swaffer in their living room. Freya sits in an antique leather club chair and Spencer leans against a period fireplace

The couple’s Georgian house is a demonstration of this philosophy. It is filled with antiques picked up over the 17 years they have lived there. Each, from the mid-century chairs to Spencer’s collection of walking sticks and the growing array of decoy ducks, is a considered purchase and is placed in the house with care and thought.

Scroll down to see how the Swaffer’s blend characterful antiques and vintage finds with contemporary art to create a quietly elegant home.

LIVING ROOM

Freya and Spencer Swaffer's living room with two large grey sofas peppered with mustard cushions, a reclaimed wood coffee table and an ornate gilded mirror hanging above the fireplace

The living room is filled with neutral pieces but bright contemporary art, Bloomsbury Group lampshades and cushions inject life and colour. The folk art goose on the table by the window is one of Freya’s favourite pieces, while the artwork is by (left to right) Breon O’CaseySheila Oliner, Niyati Barlow and Andy Waite.

DINING ROOM

The dining room in Spencer and Freya Swaffer's home features an antique farmhouse table, upholstered dining chairs and a large antique pendant light

The dining chairs are from Spencer’s shop, while the chandelier was made by Freya’s son using elements of Italian antiques. Though they have lived in the house for 17 years, the couple keep things fresh. ‘Spencer always says that we’re in the fashion business,’ says Freya. ‘We appreciate different pieces at different times and I’m forever tweaking things.’

KITCHEN

The contemporary, white kitchen in Spencer and Freya home with a farmhouse table and white Eames DSW dining chairs

The kitchen, with its exposed-brick wall, has an industrial feel. Eames ‘DSW’ dining chairs are juxtaposed with a 1940s Parisian machinist’s lamp from a French flea market and an 1820s heart-shaped wine merchant’s sign, also found in France.

LANDING

A vintage, distressed green dresser with a 1920s painting above it

The dresser base on the landing was a bright find and nicely complements the 1920s painting above it (of which the artist is unknown). It is from Suffolk and dates to around 1840. The paintwork is the original dry-scraped apple green.

MASTER BEDROOM

Picture of master bedroom in Freya and Spencer Swaffer's home with two paintings by Pauline Liu-Devereux

The spacious master bedroom is decorated in a soothing scheme of blue and white. The carving in the window is an Italian architectural fragment, bought at a market in the south of France, while the bench at the end of the bed is a pig bench (originally used for butchery and often made of sycamore wood).  The paintings are by Pauline Liu-Devereux and the jug is a Chinese Nankin pottery piece, c1770. The Indian indigo throw and cushions in the bedroom were bought from Baileys.

GARDEN

A picture from the garden Freya and Spencer Swaffer's Grade II-listed Georgian house
A Portland stone at the end of a path past a garden arch in Freya and Spencer Swaffer's garden

The Grade II-listed Georgian house (built in 1777) is surrounded by a quiet garden punctuated with antique stonework. In the formal 18th-century garden is a Portland stone statue that dates to 1830 (right).

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Images: Robert Sanderson/Narratives